
As well as producing outstanding colour rendition, Dual DIGIC III processors drive 5 fps continuous shooting for up to 56 Large JPEGs (12 RAW) – unrivalled by any other camera at this resolution. This capacity to shoot such large images uninterrupted is regarded as a big driver in switching studio photographers to the EOS platform.
The EOS-1Ds Mark III inherits the new technology platform introduced earlier this year in the EOS-1D Mark III, including 63-zone exposure metering, 19 cross-type auto focus system, a 3.0” LCD with Live View mode and EOS Integrated Cleaning System. The Highlight Tone Priority function expands dynamic range for more depth and detail in bright areas. The launch is supported with the announcement of Canon’s new ultra wide-angle lens, the Lens 2.

"The EOS 40D represents an important step in the development of EOS for the advanced amateur market. It incorporates many of the technologies pioneered in our latest EOS-1 series cameras," said Mogens Jensen, Head of Canon Consumer Imaging, Europe. "For digital photographers, the benefits of upgrading to the EOS 40D are real and significant. For analogue SLR users, there’s never been a more compelling reason to make the switch."
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Unbeatable has a review of the Samsung NV11: "Image quality is very good with the lens ensuring that
they are focused from corner to corner and detail is brilliant, thanks
to the 10.1 MP sensor which also ensures that colour reproduction is
very natural and bright. The touch screen interface proves to be very
successful and very easy to use which also describes the camera as a
whole. Images were good at ISO 100 & 200 but when we assessed the
images taken at ISO 800 and higher we found that they had high levels
of image noise and were unfortunately unusable. ... The Samsung NV11
has great features and is excellent value for money."
Megapixel has a review of the Canon PowerShot S5 IS:"The Canon PowerShot S5 IS is a camera designed for
advanced amateurs, and some time is required to tame it and obtain the
highest image quality. Nevertheless, it would appear that the
8-megapixel resolution seems to be at the limit of what the lens can
support, and with wide angle shots it is not unusual for images to
require some post capture sharpening. Similarly, noise is a factor and
the S5 IS produces its highest image quality if sensitivity is kept to
a maximum of 200 ISO."
The Digital Picture has a review of the Canon EOS 1D Mark III: "My only reservation with this model is the poor AI Servo
AF accuracy under the narrow set of circumstances described earlier -
and I'm sure Canon is researching this issue. Otherwise, the Canon EOS
1D Mark III is a big hit. The 1D3, along with an impressive range of
available lenses and accessories, is an especially appealing body for
sports, photojournalism, wildlife, weddings and other low light
photography. At this moment, my primary camera will remain the Canon
EOS 1Ds Mark II only because of its higher resolution full frame
sensor. But, I'm waiting anxiously for a Canon EOS 1Ds Mark III that
incorporates the same improvements."
DPReview has a review of the Leica M8:"I'm mostly disappointed because of the wide difference
between the quality of the output image (at a pixel level) between
JPEG's created in-camera and RAW converted using either Capture One or
Adobe Camera RAW (or pretty much any other third party converter). The
image processor (specifically the demosaicing, sharpening and low pass
algorithms) exhibit some 'roughness' which we wouldn't expect to see in
2007, there must be plenty of off-the-shelf engines which can do a
better job. ... I have to admit that I've been turned, from a skeptic
to a believer, certainly the M8 isn't a camera everyone is going to
afford, but a rangefinder is certainly something any 'serious'
photographer should try at some point in their life. It's changed the
way I shoot, I've found myself going back to manual focus more even
when I use DSLR's and being more selective about lenses and depth of
field, and more creative in my framing. My advice on the M8 would be,
if you can afford to then get one, be aware of its limitations, shoot
RAW and rediscover 'capturing moments'."